Tag und Nacht- Strauss Songs album review – music for soprano is brisk, bright and light on its feet

In a recent interview, the acclaimed pianist and conductor Jakub Hrůša discussed his latest project, a collaboration with the radiant soprano Kateřina Kněžíková and the Bamberg Symphony Orchestra. This album features a selection of enchanting songs by Richard Strauss, highlighting both Kněžíková’s exceptional vocal abilities and Hrůša’s unique role as conductor and pianist.

Hrůša reflected on the album’s journey, stating, “We begin with ‘Zueignung’ from 1885 and conclude with ‘Das Bächlein’ from 1933. Each piece captures the sparkling essence of Strauss’s music for the soprano voice, and I believe we’ve added something special to these interpretations.”

He pointed out a few standout moments, including the delightful “Ständchen” and the intricacies of “Waldseligkeit.” He remarked, “The performance of ‘Morgen’ is particularly memorable. The simplicity and eloquence of my piano playing during the postlude can truly make time stand still.”

The album also features the iconic “Four Last Songs,” which were recorded live with the Bamberg Symphony Orchestra. Hrůša noted, “Our interpretation is genuinely distinctive. Kněžíková brings a youthful freshness to her voice, particularly in the lower register, where many artists tend to take a more introspective approach.”

Further elaborating on the individual pieces, he described “’Frühling’ as a breath of spring, bursting with vitality, while ‘September’ flows richly yet delicately. ‘Beim Schlafengehen’ conveys a compelling momentum, and even ‘Im Abendrot’ embodies a sense of flowing tranquility rather than being weighed down by emotion. The piccolos at the end evoke birdsong, infusing the piece with an uplifting spirit.”

While Hrůša acknowledges that this may not be the most profound interpretation of Strauss’s works, he emphasizes its hopeful essence, inviting listeners to experience the beauty and depth of the music through a refreshing lens.