In an exclusive interview with Lucy Mangan, she delves into the mesmerizing new series that brings the story of Joan Hannington, a notorious figure from the 1980s criminal underworld known as the Godmother, to life. Mangan shares her admiration for Sophie Turner’s portrayal of Joan, highlighting that the former Game of Thrones star takes glamor to a new level, flaunting more furs than her previous character, Sansa Stark. This series, based on Hannington’s autobiography “I Am What I Am,” dives deep into the tumultuous life of Joan, showcasing her loveless childhood, an abusive marriage, and the trials of single motherhood.
Mangan emphasizes that this six-part drama transcends a typical crime story; it’s an emotionally resonant narrative that sheds light on Joan’s motivations, particularly her determination to provide for her daughter, Kelly. The show opens with a striking image of Joan in a luxurious hotel room, exuding confidence that starkly contrasts with the scars of her past—a powerful moment that sets the tone for her journey.
As the plot unfolds, viewers witness Joan’s frantic efforts to escape her violent boyfriend, as she navigates a dangerous landscape filled with threats from both thugs and law enforcement. Mangan highlights a particularly intense moment when chaos erupts as Joan seeks refuge with her sister, Nancy, who grudgingly agrees to help under the condition that she maintains a sense of order.
The story takes a fascinating twist when Joan finds employment with a shady jeweler, leading to a thrilling escape with a handful of stolen diamonds. Mangan reflects on the untold narratives that might surface if only men knew how to respect women, hinting at a broader commentary on gender dynamics within the crime genre.
With every twist, Mangan appreciates the delicate balance between Joan’s courage and the personal challenges that define her character. Turner’s performance resonates as she keeps the audience aware of Joan’s vulnerabilities, even amidst her illegal endeavors. However, Mangan questions the authenticity of Joan’s choices, particularly her reliance on social services, suggesting a more nuanced layer to her decisions.
The supporting cast, featuring Gershwyn Eustache Jr. as Albie, adds richness to the storyline without overshadowing the main narrative. Mangan concludes that “Joan” is not only an entertaining escape but also a captivating watch, perfect for cozy autumn evenings, and strongly encourages viewers to engage with this compelling tale of resilience and ambition.